Monday, March 5, 2012

And Sing It Til You're Done



The best music to my ear captures a particular time and place in a way that resonates with the listener. I don’t know if Wrecking Ball will receive much critical acclaim but it’s unlikely another record this decade captures precisely what living in 2012 feels like. Angry. Blunt. Fierce. Unapologetic. Spiritual. I’m a huge sucker for records that take on the world and express what a large portion of the population feels. Unfortunately, I don’t believe musical artists do this much anymore, certainly not the white ones at least, and certainly not very well. As Lester Bangs said back in the 70’s or was it Phillip Seymour Hoffman, “Rock N Roll has become an industry of cool.” It’s a hell of a lot easier to write a song about breaking up with a girl or partying all night. There’s nothing wrong with this type of record but its way more daring to write for the masses at a critical moment in history. In my lifetime, Green Day’s American Idiot and Springsteen’s The Rising are the most successful records that come to mind that took on a heightened moment of the present and put it into music. Springsteen's added another gem to this short list with his new record Wrecking Ball.

Springsteen’s success comes from the fact that he has taken on the systematic collapse of the economy and made it personal. If you haven't personally been affected by The Great Recession in some way, somebody in your family has. Most of the songs on the album are all first person narratives evoking a different response to the crisis. The diverse musical styles and bombastic drums certainly help make this record feel fresh and alive.

Enjoy the record my friends and be sure to soak in the Big Man’s solo on “Land of Hope and Dreams.” You’ll hear a lot of people hate on Springsteen for his righteousness, especially at the age of 62. It takes balls to make a record like Wrecking Ball. He certainly doesn’t have to be doing this at his age.

Thanks Boss. See you at church this fall.

2 comments:

j.patrick said...

How timely! I just listened to the whole album last night. I've only heard it twice and I was working, so my thoughts are very initial.

I definitely saw the goal of the project as Uptown describes it - capture the zeitgeist of the decade and I definitely saw that in the diversity of the music.

Although I was impressed by the diversity of musical styles, it detracted somewhat from the overall cohesion of the album. No value judgment there, but it seemed more like a collection of short stories than a novel. The last couple tracks (Land of Hope and Dreams and We Are All Alive) went a long way to pulling the album together, but I still didn't feel the connection from track to track. Might just need a couple more listens.

I think the main issue I'll take with the album after my introductory listen is that a lot of it seemed overly produced - a little too clean for my tastes and I felt like it detracted a bit from the soul/emotion of the album.

Given my proclivity to uptempo tracks, you can probably spot my favs already, but here's my breakdown:

Easy Money - I really dug the gospel feel and the backup vocals (choir and yipping) and the organ.

Shackled and Drawn - Again, I loved the backup vocals and gospel feel. It made me want to spontaneously break into song in an inappropriate setting.

Death to My Hometown - had me hooked right away. I was intrigued by what seemed like tribal singing with the Irish melody and vocal cadence. I listened to it pretty close, because it sounded like Bruce had pulled The Pogue's "Sally MacLennane" for the melody, but I don't think it was quite the same. The drum was uplifting, but it seemed to mix a little out of place for the semi-folk song.

Land of Hope and Dreams - although I'm not sure it's my immediate favorite song, this was the track that sort of pulled the album together by combining multiple styles you hear previously in the album.

I may get grief here, but You've Got It and This Depression really didn't do a whole lot for me. Lyrics were intriguing, but didn't pull me in.

Town said...

Nice Josie. I think your take is pretty consistent with most of the reviews i've been reading from the press.

I don't think anyone's gonna be shocked that I think this is a heck of a record. Now that i've started to dig a little deeper into the record, i've thought about all sorts of things.

I'll wait to see if anyone else wants to get in on the conversation before I respond to your post.